{"id":2618,"date":"2026-04-27T11:27:48","date_gmt":"2026-04-27T09:27:48","guid":{"rendered":"https:\/\/alexandershevchuk.eu\/?p=2618"},"modified":"2026-04-27T11:50:08","modified_gmt":"2026-04-27T09:50:08","slug":"sous-la-lune","status":"publish","type":"post","link":"https:\/\/alexandershevchuk.eu\/en\/sous-la-lune\/","title":{"rendered":"Under the moon"},"content":{"rendered":"
<\/div>\n\n\n\n

Under the Moon<\/em> is an invitation to contemplation \u2014
\na moment suspended in time to rediscover the beauty of calm,
\ngentleness and self-awareness.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"
Ada | 150 x 125 | Huile sur toile<\/strong><\/figcaption><\/figure>\n\n\n\n

In Sous la lune<\/em>, I explore the delicate boundary between dream and reality. The scene, bathed in a soft, almost liquid nocturnal light, seems suspended outside of time. The forms reveal themselves modestly, as if the moon itself were holding its breath so as not to disturb the silence.<\/p>\n\n\n\n

The composition highlights a female figure, whose presence\u2014both fragile and assertive\u2014 becomes the emotional heart of the work. The subtle shades, the carefully crafted textures and the enveloping shadows create an intimate, almost meditative atmosphere. One senses a quest for tranquillity, a moment of withdrawal from the world where one simply allows oneself to be.<\/p>\n\n\n\n

Light is a living substance: it caresses, reveals, and brushes against. The viewer is invited to step into this inner space, to listen to what the night has to say, and to let themselves be guided by the silent poetry of the night\u2019s stillness<\/p>","protected":false},"excerpt":{"rendered":"

Sous la lune est une invitation \u00e0 la contemplation \u2014 un instant suspendu pour re-d\u00e9couvrir la beaut\u00e9 du calme, de la douceur et de la pr\u00e9sence \u00e0 soi. Dans Sous la lune, j’explore la fronti\u00e8re d\u00e9licate entre r\u00eave et r\u00e9alit\u00e9. La sc\u00e8ne, baign\u00e9e d\u2019une lumi\u00e8re nocturne douce et presque liquide, semble suspendue hors du temps. […]<\/p>\n","protected":false},"author":1,"featured_media":2619,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[6],"tags":[],"class_list":["post-2618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/posts\/2618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/comments?post=2618"}],"version-history":[{"count":4,"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/posts\/2618\/revisions"}],"predecessor-version":[{"id":2627,"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/posts\/2618\/revisions\/2627"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/media\/2619"}],"wp:attachment":[{"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/media?parent=2618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/categories?post=2618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alexandershevchuk.eu\/en\/wp-json\/wp\/v2\/tags?post=2618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}